Adobe Premiere Pro CS5
software lets you edit faster with true native format support. Get
breakthrough performance on workstations and laptops; streamline
collaboration; and boost productivity with an efficient, robust,
cross-platform editing workflow. Enhanced Performance The
improved performance comes courtesy of Adobe’s Mercury Playback
Engine, which was devised for CS5 from the ground up to take advantage
of 64-bit processors. Because most of the tasks in Premiere can take a
long time (especially if you’re adding lots of effects or rendering a
long movie) this alone can be a tremendous time-saver. The revamp also
means that you can do real-time HD chroma keying
with the included Ultra keyer, which is optimized to tackle real-world
green screen conditions, and capable of complex keys on smoke,
liquids, and transparent objects.
f
you’re using a computer with a 32-bit CPU or operating system,
however, your system will be unable to run Premiere Pro CS5. Adobe
claims to have conducted research and discovered that very few existing
customers would be affected. Given the prevalence of 64-bit systems in
recent years, that’s quite believable. If you’re one of that
underpowered minority looking to dive into Premiere Pro CS5, you’ll
need to factor a new system (or at least a thorough upgrade of certain
components) into the purchase price. Alternately, if you’re using a
32-bit version of Windows and purchased a copy of CS5 Master Collection of CS5 Production Premium, Adobe includes a copy of Premiere Pro CS4, which is compatible with 32-bit systems. Like
its CS4 predecessor, Premiere Pro CS5 supports hardware acceleration
(which can energize effects processing even more), but there’s an even
touchier caveat here. Whereas CS4 supported a range of video chipsets
from both Nvidia and ATI, the new Mercury Playback Engine was
programmed to work exclusively with Nvidia’s CUDA technology. As this
writing, the full list of supported video cards includes the GeForce
GTX 285 ($400 street, ) consumer-level card, and the Quadro FX 3800, FX
4800, FX 5800, and CX workstation cards. (Adobe tells us that testing
is underway on Nvidia’s latest consumer releases, the GeForce GTX 470
and 480, but has offered no information yet about their compatibility.)
Owners of even the most powerful new AMD cards, whether the consumer
dual-GPU Radeon HD 5970 or the workstation FirePro models, are entirely
out of luck.
New Adobe Premiere Pro CS5 Features But
even users of unsupported video cards will benefit from some of
Premiere Pro CS5′s changes—just because you’re not running on the of
the supported cards doesn’t mean you can’t run CS5. If you’re working
on a really tough sequence, such as one that uses RED (4K) files or
lots of effects, you can “fake” it by dialing down the resolution to as
much as one-sixteenth during playback, so your computer can handle it.
To make it easier to focus on individual moments, you can set the
Pause resolution to “Full” to see the picture in all its detail even if
your hardware gives you trouble watching it in motion. This is a
thoughtful compromise that generally improves performance on slower or
non-workstation machines (like the one we used for testing), and is
helpful enough to be worthy of celebration even by owners of faster
computers.
Also
introduced is support for many other kinds of standards and
technologies. www.shakzone.blogspot.com The software now recognizes Sony
XDCAM HD 50, Panasonic AVCCAM, DPX, and AVC-Intra, for tapeless
recording; as well as for additional support for certain D-SLRs from
Canon, Nikon, and Panasonic. You can also now import RED (R3D) files
without transcoding them or
installing other software, and a special Source Settings option for RED
lets you tweak every aspect of the footage for individual or multiple
clips. More intriguingly: You can now open projects made in, and share
them between, Final Cut Pro and Avid video software.
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